Category: Reviews

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Hus Kingpin – Threesome 3: Voyeur Edition (Review)

While he has built up a strong, widely varied discography, its always the smooth pimp raps that keeps you coming back to Hus Kingpin. A perennially underrated pioneer in the…

Review Roundup (May 2022)

Follow Anywhere the Dope Go on Twitter Here we will discuss some tight albums that dropped in recent weeks which we might not have gotten a chance to review in…

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Quelle Chris – Deathfame (Review)

Follow Anywhere the Dope Go on Twitter Championed in recent years as a king of the underground, Quelle Chris finds himself lamenting the simultaneous fame and lack of recognition. On…

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El Camino – Let There Be Light (Review)

Follow Anywhere the Dope Go on Twitter After more than a year of teases, the messy Walk By Faith rollout, and some smaller appetizer projects, Buffalo MC El Camino comes…

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Robb Bank$ – FALCONIA (Review)

The long awaited album by Robb Bank$ has finally arrived. While the album serves to please the fans that have been asking for it for years, Robb manages to create…

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Flee Lord & Mephux – Pray for the Evil 3 (Review)

Follow Anywhere the Dope Go on Twitter Everyone knows Flee Lord is one of the busiest and nicest MC’s in the game right now. Consistently dropping albums, he fits right…

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Bar For Bar: The Best White Rapper?

I’m back with the internet’s favorite game show and today we are going to break down Lul JoJo’s single Ransom Subscribe to Freddy DoLess on Youtube Follow Anywhere The Dope…

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Black Star & Madlib – No Fear of Time (Review)

Follow Anywhere the Dope Go on Twitter In many ways, the 1998 classic Mos Def & Talib Kweli are Black Star was a product of its time; A response to…

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Action Bronson – Cocodrillo Turbo (Review)

Follow Anywhere the Dope Go on Twitter Coming into an Action Bronson album, you’re probably looking for two things: Standout, lush beats, and absurd shit talk. Bronsolino holds steady with…

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Pusha T – It’s Almost Dry (Review)

Follow Anywhere the Dope Go on Twitter Pusha T might have been a legend off his work with Clipse alone, but with the release of 2018’s Daytona, fully produced by…

Review Roundup (April 2022)

Follow Anywhere the Dope Go on Twitter Here we will discuss some tight albums that dropped in recent weeks which we might not have gotten a chance to review in…

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EST Gee & 42 Dugg – Last Ones Left (Review)

Follow Anywhere the Dope Go on Twitter Collab albums, while exciting on paper, are often a blatant disappointment; Either not meshing the two rappers’ styles or having one clearly outshine…